From hands to ideas, from ideas to hands

I think I have always learned the world with my hands.

As a child, I understood that I could bring landscapes to life with my piano. Later, it was clay that I would shape for hours. I loved inventing, making things, without always knowing what I was looking for.

Then the hands gave more room to ideas.

Art history, aesthetics, cultural policy became fields of exploration. For several years I learned to look at works of art, to place them in their history, to understand the thoughts running through them. I discovered Symbolism and, with it, a way of approaching what had always drawn me: the invisible, the silent, that which acts without letting itself be fully explained.

After those five years of study, the irrepressible urge to return to the gesture imposed itself on me.